Updated: Sep 6
I know, it’s just a chair. And some of you will think it’s ugly or weird. Trust me, I’ve gotten a lot of flack about this chair over the years. But here’s the thing; I bought this chair at a yard sale with my dad when I was in middle school. We thought it was cool and different. Dad & I always kind of liked quirky stuff. And, when I saw it on the cover of Architectural Digest when I was in high school, I was even prouder of my taste and purchase from years before. Turns out it is a very famous chair. See below for the history.
I dreaded going to those early yard sales with dad as a kid, but as I grew up, I really enjoyed spending those Saturday mornings with him searching for treasures. This chair sat proudly in my bedroom growing up at my parents old house, and while I lived in the dorm the first semester of college. Since then, it has gone with me to every apartment and house I’ve lived in. It might be the only thing I’ve really held onto over the years. So, when I decided to do this tiny house thing, I knew it was coming with, and since I had a very clear design aspect in my new space, it was time for a makeover. I took it to an upholsterer first to cut the old straps off so he would have a pattern for the new cream straps. Then I had it sandblasted to get rid of the chrome, and powder coated brushed gold to go with my color palette. I am in love with the new look and how great it fits in the camper. Wish dad were here to see it, but I know he’d be proud.
HISTORY: A champion of the modern movement and protégé of Bauhaus founder Walter Gropius, Marcel Breuer is equally celebrated for his achievements in architecture and furniture. Breuer was an outstanding student and subsequently a master carpenter at the Bauhaus in the early 1920s. His entire body of work, both architecture and furniture, embodies the driving Bauhaus objective to reconcile art and industry. While at the Bauhaus, Breuer revolutionized the modern interior with his tubular-steel furniture collection — inspired by bicycle construction and fabricated using the techniques of local plumbers. His first designs, including the Wassily, remain among the most identifiable icons of the modern furniture movement.
The chair later known as the "Wassily" was first manufactured in the late 1920s by Thonet, the German-Austrian furniture manufacturer most known for its bent-wood chair designs, under the name Model B3. It was first available in both a folding and a non-folding version. In this early iteration, the straps were made of fabric, pulled taut on the reverse side with the use of springs.
The fabric used was made from Eisengarn, a strong, shiny, waxed-cotton thread. It had been invented in the 19th century, but Margaretha Reichardt (1907-1984), a student at the Bauhaus weaving workshop, experimented and improved the quality of the thread and developed cloth and strapping material for use on Breuer's tubular-steel chairs.
The Thonet produced version of the chair is most rare, and went out of production during World War II.
Most of Breuer's early designs were produced under license by the Berlin-based manufacturer, Standard-Möbel, Lengyel & Company. The Wassily chair was the only significant early Breuer design not offered by Standard-Möbel, Lengyel & Co.
After the War years, Gavina picked up the license for the Wassily, along with the Breuer designs previously sold by Standard-Möbel, Lengyel & Co., and introduced the more recognized Wassily version that replaced the fabric with black leather straps, though the fabric version was still made available. In 1968 Knoll bought the Gavina Group of Bologna. This brought all of Breuer's design into the Knoll catalog.
This chair was revolutionary in the use of the materials (bent tubular steel and eisengarn) and methods of manufacturing. In 1925 Breuer purchased his first bicycle and he was impressed with the lightness of its tubular steel frame. This inspired him to experiment with using the material in furniture design. The design (and all subsequent steel tubing furniture) was technologically feasible only because the German steel manufacturer Mannesmann had recently perfected a process for making seamless steel tubing.[verification needed]. Previously, steel tubing had a welded seam, which would collapse when the tubing was bent.
The Wassily chair, like many other designs of the modernist movement, has been mass-produced since the late 1920s, and continuously in production since the 1950s. A design classic is still available today. Though patent designs are expired, the trademark name rights to the design are owned by Knoll of New York City. Reproductions are produced around the world by other manufacturers, who market the product under different names.